I know two months is hardly
coming soon.
But I’m not a full time
blogger-obviously…..
If I take time to publish and
write these blogs……that means less time to make art and make beautiful music. So to all those waiting patiently ..... many thanks. Finally, here for your viewing pleasure....more photos and descriptions.
Theme Assignment for April
2014 shows: Present a series of 5
related works of art.
Location: Arlington Artists Alliance (AAA) Gallery Underground in Crystal City, Arlington, Virginia
Here is the Gallery Underground in Crystal City, Arlington, Virginia.
Our dedicated gallery manager and Talented artist: Sandy Parker at the desk.
For the Series Show: I selected a study of perforated and pierced
ceramic artwork. I already had two pieces made and then added 3 new works for
my total of 5. The announcement of the
themed show did not allow sufficient time to make 5 entirely new pieces. But I did want to re-visit and expand on the “pierced/perforated
Theme.
From my collection: Item 1. Pierced rim
vase
This work represents one of
the first explorations of poking holes through perfectly good pots.
Must say .....the “first hole” is the most difficult.
I agonize: “Do I really want to do
that?” “Why am I doing this?” “This is
really stupid!” As my hand hesitates
with the hole cutter???? What the heck am I doing as first one hole and then
another penetrates the wall. Then the
question arises: When to stop? I don’t know what compelled me to begin this
folly but I just keep on going???
Item 2:
This second work is a double walled and perforated vase. So even though you can see light passing through the outside portions…… there is a 1.5 inch tube inserted down the center all the way to the bottom which holds water and is totally functional.
This is a slab built piece which was draped around one of those orange construction cones. I attached a slab bottom and inserted an extruded tube in the center.
When poking the holes with the hole cutter I had to be extremely careful NOT to go to far or I would penetrate the inner extruded tube.
This was not glazed on the outside because the holes would’ve been sealed. Rather I used an under glaze when at the leather hard stage. Yes, the inside of the tube is glazed and waterproof. It is totally functional as a vase.
New Work:
The three bowls below represent the newest works for this themed
show. Same construction methods for
all:
Item #3
The largest-red bowl is approx 16” in diameter, 11 inches tall. The same mold was used for all. Only the rims are different. For the largest red bowl I smoothed the rim.
Rolled out 24 inch x 24 inch about 3/4 inch thick . I use recycled clay. The slabs are draped over
a large plaster mold. An extruded foot ring is attached and then
the rims are refined or left in the rough.
Each hole is individually pierced at least 3-4 times before the clay
reaches the leather hard stage. And YES!! It is very difficult to handle that amount of clay!!!! Sometimes it flops around, pulls apart, falls on the floor and has air bubbles. And if you are wondering...YES I do have a mechanical slab roller. I don't make these slabs with a rolling pin. I use a Northstar 24 Inch slab roller. I love it!!!
Item #3
The largest-red bowl is approx 16” in diameter, 11 inches tall. The same mold was used for all. Only the rims are different. For the largest red bowl I smoothed the rim.
All three bowls had a black under glaze applied at the leather hard stage and then I used a very thin clear glaze which did not clog up the holes.
For the Chartreuse Bowl I decided to leave the rim in a more organic state.
Item #5:
For the black bowl I smoothed the rim a little but left it raggedy.
For the black bowl I smoothed the rim a little but left it raggedy.
All items were first bisque fired to cone 05 and then glaze fired to cone 6 in an electric L&L kiln.
Feel free to leave your comments ask a question and share your reactions. I know my work does not appeal to everyone. But I’m making this stuff to please myself and have fun. But this blog stuff is a challenge!!! And I'm obviously not a professional photographer. Marcia Koski Finnerty